That was 2019. The first films were bad and nobody watched them, which turned out to be the freedom I needed. I kept going because the walking fixed something the desk had broken.
Now it's the job. One film a week, shot alone, edited in a van or a kitchen. No sponsors I don't use, no gear I haven't carried up something. The Sunday letter is where I say the things that don't fit in a film.
One email, Sunday morning. Where I went, what went wrong, one photograph that didn't make the film, and whatever I've been reading. 41,000 people get it. No sponsors in it, ever.
"The only newsletter I actually open. It reads like a letter from a friend who is somewhere colder than you."
See you Sunday. The first one comes from wherever I am this week.
Everything I carried on the last film, with the weight. Links are affiliate where they exist. The opinions predate the links.
Lightroom and Capture One. Built over four years of cold mornings. Pay once, keep forever.
I take four brand films a year and say no to most of what comes in. If your thing belongs in a pack on a ridge at 5am, we should talk. If it doesn't, I'll tell you quickly.
Past work: Hilleberg, Peak Design, Montana Office of Tourism, Patagonia Films (second camera).
Print licensing and speaking through the same address.